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  • Dossiers
  • Features
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    • Gestures of Resistance: An Interview with Tan Pin Pin

      Chris Luscri
      October 2018
      Feature Articles
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    • The Experimental Propagandist: Frank Capra and the Shape of Truth

      Richard Sowada
      January 2022
    • Heil Darling: a story of lips that haven’t laughed

      Pablo Gonçalo
      January 2022
    • The Night Shift: Woman as Outlaw Hero in The Man I Love

      Rob Nixon
      January 2022
    • Smooth Digital Reveries: On Proto-Vaporwave and The Flying Luna Clipper

      Dechlan Cochran
      January 2022
    • Promising Young Woman and the cinematic renegotiation of gender in rape-revenge

      Joy McEntee
      January 2022
    • Streaming paracinema: Charles Band, Full Moon Features and auteurism on third tier SVOD services

      Andrew Lynch and Alexa Scarlata
      January 2022
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    • Surviving You, Always: An Interview with Director Morgan Quaintance

      Chris Luscri
      May 2021
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    • Pom Bunsermvicha interview: “Being part of a family“

      Maja Korbecka
      January 2022
    • Leaning into the Challenge: Interview with Scattered co-creators Logan Mucha and Kate Darrigan

      Stuart Richards
      January 2022
    • “The cinema remains alive when it is diverse”: Interview with Jean-Gabriel Périot

      Daniel Fairfax
      January 2022
    • Do you feel lonely standing here? A conversation with Na Jiazuo

      Łukasz Mańkowski
      January 2022
    • A Joyride through Technological Change: Interview with David Cox

      Dirk de Bruyn
      January 2022
    • Sunken Film: Bill Morrison Talks The Village Detective: a song cycle

      Andrew Northrop
      July 2021
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    • Lindsay Anderson

      Anderson, Lindsay

      Chris Luscri
      December 2017
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      Jeremy Carr
      January 2022
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      Tom Cunliffe
      January 2022
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      Charles Fairbanks
      January 2022
    • Lucas, George

      Dan Golding
      July 2021
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      Jeremy Carr
      July 2021
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      Hal Young
      May 2021
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    • In the Spotlight and Beyond: The Diagonale Festival of Austrian Film

      Chris Luscri
      June 2013
      Festival Reports
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    • Thessaloniki International Film Festival: Rewriting the Rules of the Game

      Maria Giovanna Vagenas
      February 2022
    • The Pivot to Asia: The 34th Tokyo International Film Festival

      Kohei Usuda
      February 2022
    • Come Together: The 59th Viennale

      Leonardo Goi
      January 2022
    • From White Clouds, Wild Delights: The 18th Golden Apricot Yerevan International Film Festival

      Carmen Gray
      January 2022
    • AFI FEST-AFM: The Perils of Online

      Bérénice Reynaud
      January 2022
    • Looking for Love at HitchCon 2021

      Amelia Leonard and Jacob Agius
      January 2022
  • Book Reviews
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    • Rhythm and Light: Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick, and Ruiz, by Laleen Jayamanne

      Chris Luscri
      July 2021
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    • The Depths of Empiricism: Werner Herzog: Ecstatic Truth and Other Useless Conquests, by Kristoffer Hegnsvad

      Tony McKibbin
      January 2022
    • Hollywood, Reinvented: Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic, by Glenn Frankel

      Elroy Rosenberg
      January 2022
    • West Side Story Redux: West Side Story: The Jets, the Sharks, and the Making of a Classic, by John Barrios

      Adrian Schober
      July 2021
    • Foraging in a Transforming Mediascape: Cinemas Dark and Slow in Digital India, by Lalitha Gopalan

      Megan Carrigy
      July 2021
    • Time Machines: After Kubrick: A Filmmaker’s Legacy, edited by Jeremi Szaniawski

      Joy McEntee
      May 2021
    • The Politics of Ambiguity: After Authority: Global Art Cinema and Political Transition, by Kalling Heck

      Jennifer Ruth
      May 2021
  • CTEQ
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    • Once Upon a Time…: Beauty and the Beast (Jean Cocteau, 1946)

      Chris Luscri
      July 2020
      CTEQ Annotations on Film
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    • Shockproof (Douglas Sirk, 1949): The Insanity of Romantic Desire

      Wheeler Winston Dixon
      May 2022
    • The Grotesque Loves of Jealousy, Italian Style (Ettore Scola, 1970)

      Tiia Kelly
      May 2022
    • A Geography of Fractured Desire: Michelangelo Antonioni’s L’eclisse (1962)

      Danica van de Velde
      May 2022
    • Il Deserto Rosso (Red Desert, Michelangelo Antonioni, 1964)

      Boyd van Hoeij
      May 2022
    • ‘You Can’t Make an Omelette…’ – Modesty Blaise (Joseph Losey, 1966) and the Art of Breaking Eggs

      David Melville
      May 2022
    • Fritz Lang’s Spione (1928)

      Shari Kizirian
      May 2022
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Author Chris Luscri

Chris Luscri

Chris Luscri is an independent producer whose work spans narrative, documentary and multi-platform filmmaking. Chris produced the short films Sammy The Salmon and Grevillea, which premiered at the BFI London Film Festival in 2018 and the Berlinale in 2020 respectively, in addition to serving as Line Producer on Amiel Courtin-Wilson’s contribution to the Badfaith Collective - VR project Exquisite Corpse (MIFF 2018) and Executive Producer on the hybrid documentary The Plastic House (MIFF 2020, Sydney Film Festival 2020). He has also curated film programs for the Adelaide Film Festival and the 9:16 Film Festival, as well as the regular series Unknown Pleasures at the Thornbury Picture House, alongside Senses of Cinema founder Bill Mousoulis.

Australian Autofiction: A Filmmaker Roundtable by Chris Luscri

Chris Luscri
July 2021
Australian Autofiction
Outside of small research studies and articles that have appeared in academic journals, there is an absence of in-depth contextual work around personal filmmaking in Australia. This roundtable, featuring six ke...

Singing songs of sevdalinka in Saidin Salkic’s The Shells Exploding Gently

Chris Luscri
July 2021
Australian Autofiction
Saidin Salkic’s new film The Shells Exploding Gently (2020) begins, characteristically, as a work in extremis. A face, a voice, the camera held close, the corner of a door, the sound of lapping waves. At first,...

So Full Of Shapes Is Fancy: Matías Piñeiro’s Viola

Chris Luscri
April 2015
CTEQ Annotations on Film
The films of Matías Piñeiro represent something of an ouroboros for a writer enthused by the task of categorization and analysis, for the simple fact that they take the perennial “inability to be pinned down” a...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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César Albarrán-Torres • Amanda Barbour • Tara Judah • Abel Muñoz-Hénonin • Fiona Villella

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