Double Suicide and the “fetishism of space” Anne Rutherford June 2011 CTEQ Annotations on Film It is rare today to find a film as highly stylised as Shinju: Ten no amijima (Double Suicide) – especially one in which the stylisation is so exquisitely sustained across every level of set design, performance,...
Precarious Boundaries: Affect, Mise en scène and the Senses in Angelopoulos’ Balkans Epic Anne Rutherford April 2004 Feature Articles A theoretical analysis of the affective force of mise en scène in Ulysses' Gaze – a “porous interface” between nations, between elements, between screen and viewer.
Cinema and Embodied Affect Anne Rutherford March 2003 Feature Articles Rutherford's essay explores the implications of an aesthetics of embodiment for film theory.
Poetics and Politics in Garin Nugroho’s A Poet Anne Rutherford November 2001 Feature Articles Examining this intimate portrait of poet Ibrahim Kadir's experiences during the 1965 massacre.
Arrested Motion: Leaps and Bounds in the Korean Detective Film Anne Rutherford June 2000 Asian Cinema The stylish Korean film Nowhere To Hide bends genres and rules in an exhilarating fashion.
