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    • “A Gentle Voice in a Noisy Room”: An Interview with New Zealand Filmmaker Gaylene Preston

      Anastasiia Gushchina
      October 2010
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      July 2026
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      Colette de Castro
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      Salvador Carrasco
      July 2026
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      Pritish Das
      July 2026
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      Leonard Schwartz
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      Jens Andermann
      May 2026
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      Nature of Keeping Awake: Hanif Kureishi and Collaborative Film-Making

      Anastasiia Gushchina
      November 2000
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      Gary M. Kramer
      July 2026
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      Đăng Tùng Bạch
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      Arindam Sen
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      Botagoz Koilybayeva
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      July 2025
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      Patrick F. Campos
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      Anastasiia Gushchina
      June 2000
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      Susana Bessa
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      Stefan Solomon
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      Maja Korbecka
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      Botagoz Koilybayeva
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      Anastasiia Gushchina
      April 2009
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      Mark Seton
      July 2026
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      Ragib Rahman
      July 2026
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      Jiahan Olivia Lin
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      Wheeler Winston Dixon
      May 2026
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      Ashish Dwivedi
      May 2026
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      Scott Robinson
      May 2026
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      Anastasiia Gushchina
      April 2020
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      Shari Kizirian
      October 2026
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      Daniel Phuoc Wilson
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      Brad Weismann
      October 2026
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      Austin Lancaster
      October 2026
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      Inge Fossen
      September 2026
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      Alexia Kannas
      September 2026
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Author Anastasiia Gushchina

Anastasiia Gushchina

Anastasiia Gushchina is a PhD candidate at the Department of Communication, Media and Film at the University of Calgary. Her doctoral thesis examines techniques and production processes of independent animated documentaries of the 1990s-2010s. Her research interests include film and animation theory, film philosophy, and documentary practices in visual arts.

The War as a Fairytale: The Construction of Memory through Documentary Animation in A Kosovo Fairytale

Anastasiia Gushchina
October 2022
After Yugoslavia
Yugoslavia was dismantled three decades ago after a series of deadly armed conflicts that encompassed all republics of the former state. Yet the question of the Yugoslav wars’ representation in contemporary doc...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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