Virtually Present, Physically Invisible: Virtual reality immersion and emersion in Alejandro González Iñárritu’s Carne y Arena Adriano D'Aloia June 2018 Feature Articles The freezing cement stings my heels while, in total solitude, I find myself looking at a pair of sneakers, abandoned beneath a shiny metal bench. The bench sits against the wall of a tight and low space, almost...
