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Terror or joy: a critical exploration into sexploitation, gender and the 'scream' in cinema.

An introduction to the first film made in Hong Kong directed by a woman about women in love with each other.

b. January 3, 1929, Rome, Italy d. April 30, 1989, Rome, Italy filmography bibliography web resources Sergio Leone is a filmmaker who sits uneasily in the canon of 'great' directors. As an Italian ...

b. July 23, 1912, New York, New York, USA d. August 10, 2002, Miami, Florida, USA filmography sources for this profile articles in Senses web resources Remembering the grand dame of American sexploi...

Lacking the tradition of a strong national cinema and swamped by mainstream American cinema, Hugo argues that the road before Paraguay is a long one.

Leahy introduces his 1967 piece on Blind Date, a film rich in allusion about the commodification of human relationships.

(1) Die Spinnen (The Spiders) Part One. Der Goldene See (The Golden Lake 1919 Germany 112 mins) Source: Deutsches Institue für Filmkunde Filmarchiv, Wiesbaden. Prod Co: Decla-Bioscope Prod: Erich P...

b. Raymond Nicholas Kienzle b. August 7, 1911, Galesville, Wisconsin, USA. d. June 16, 1979, New York City, USA. filmography bibliography articles in Senses web resources That Nicholas Ray's pr...

Peppered with illuminating comments about his filmmaking approach.

White is yet another important US critic upholding the tradition of intelligent and independent criticism in the press.

Wes Anderson's stylised soap opera, The Royal Tenenbaums, tells of prodigal patriarch Royal Tenenbaum's (Gene Hackman) attempts to reconcile himself with his family. He walked out on them some 20 years befo...

An overview on this unique festival that defied all the odds to continue its strong reputation.

It seems nothing short of extraordinary that no book-length study of Atom Egoyan by English-language scholars has been published to date. Exhibit A: For over a decade, Egoyan has been enticing critics, cineaste...

THE CREDIT SEQUENCE The Paramount logo fades to a black screen, which turns light grey as music starts: chunky staccato chords under keening violins. From the right-hand edge, black stripes stretch across the ...

Shivers (They Came from Within) (1975 Canada 88mins) 35mm Source: Film Alliance Prod. Co: DAL/ Reitman Exec Prod: Alfred Pariser Prod: Ivan Reitman Dir, Scr: David Cronenberg Phot: Robert Saad Ed: Patric...

À Bout de souffle (1960 France 90mins) 35mm Source: NewVision Prod Co: Georges de Beauregard, Société Nouvelle de Cinéma Prod: Georges de Beauregard Dir, Scr: Jean-Luc Godard from story by François Truff...

The Canterbury Tales (I Racconti di Canterbury, 1971 Italy 109mins) Source: ACMI/NLA Prod. Co: PEA Prod: Alberto Grimaldi Dir, Scr: Pier Paolo Pasolini from Geoffrey Chaucer Assist. Dir: Sergio Citti Pho...

In provocative, eloquent style, Quintín questions Garrel's latest film and its real worth.

Another contemporary instalment to the genre of life as a series of sex acts.

An original account of the 'Australian Western' and its significant role in the early days of Australian feature film production.

Compiled by Fiona A. Villella The Entries Parts of this article are now hosted on the PANDORA archive of the National Library of Australia and Partners. Kent Jones Jon Jost Dmetri Kakmi ...

Rose Hobart (1936 USA 17mins) The first and greatest American Surrealist, Joseph Cornell is best known for his boxes. The best of his mysterious assemblages of dime-store tchochkes and paper ephemera in ...

Asian cinema enthusiast, Lisa provides a thorough overview of new Asian cinema at Vancouver.

Overview of this year's program in addition to some probing comments on the Festival at large.

Examining this intimate portrait of poet Ibrahim Kadir's experiences during the 1965 massacre.

Frye speaks with the Godfather of American avant-garde cinema.

It's sad that it took Pauline Kael's death to send me back to her early criticism. She had guts and style. She was way ahead of her American contemporaries in celebrating the pleasures of popular cinema, be...

The following extract of Jane Mills' The Money Shot – Cinema, Sin and Censorship (Pluto Press Australia, 2001) is published here with the permission of Pluto Press Australia. The book is available at the re...

In Cinema veritas “It was like a scene out of a movie.” Everybody who saw September's* Grand-Guignol show has voiced or thought some variation of those words. Of course it was. Our films reflect us. On t...

The very first World Student Film Festival, including Shohei Imamura as head of its organising committee, was held recently in Okinawa.

Untransformed by brief encounters in a share house: Wilson weighs up Lowenstein's latest instalment in the share household genre.

Discovering that Morris' favourite American film of all time is Detour is just one thing you take away from this comprehensive and fascinating interview.

Kids Return (1996 Japan 107mins) Source: JIS Prod Co: Office Kitano Prod: Masayuki Mori, Takio Yoshida, Yasushi Tsuge Dir, Scr, Ed: Takeshi Kitano Phot: Katsumi Yanagishima Art Dir: Shibata Hirohide Mus:...

Sargeant is once again knee deep in the horror of humanity.

Posted Tuesday 7 August (Festival Wrap-Up) Posted Friday 3 August (Virgin Stripped Bare By Her Bachelors) Posted Thursday 2 August (Platform) Posted Wednesday 1 August (Calle 54, Martha.Martha, My Brother ...

For Ever Godard, June 21 - 24, Tate Modern, London Garrel Éternel, June 26 - 27, Irish Film Centre, Dublin "Jean-Luc Godard? Is he still working? I thought... well, I thought he was dead." It's a depres...