The Comic Visualised, or Laughing at Shallow Hal Meghan Sutherland October 2004 Comedy and Perception The Farrelly brothers prove that beauty is truly “in the eye of the beholder”.
The Cinema Too Must Be Destroyed: An Interview with Stewart Home Simon Strong October 2004 The Suspended Narrative The prolific British novelist and all-round provocateur discusses his film work.
A Report on the 13th Brisbane International Film Festival Jim Knox October 2004 Festival Reports The cultural horizons are less narrowly diminished than when I covered the first Brisbane International Film Festival (as a then-time local, for Filmnews) 12 years back, but Brisbane remains a thriving Petr...
Cukor, George Dan Callahan October 2004 Great Directors b. July 7, 1899, New York City, USA d. January 23, 1983, Los Angeles, USA Filmography Select Bibliography Articles in Senses Web Resources That's fun, dancing on the edge! – Little Emily in David C...
Beyond the Clouds: An Interview with Nuri Bilge Ceylan Geoff Andrew July 2004 Feature Articles Equally masterful at depicting small, awkward dilemmas as he is the human condition, the director of Uzak proves to be just as honest and compassionate in conversation.
Homicide: “Flashpoint” (episode 56) Don Storey July 2004 CTEQ Annotations on Film Homicide ep. 56: “Flashpoint” (1965 Australia 48 mins) Source: ScreenSound Australia, courtesy Crawfords Australia Prod Co: Crawford Productions Prod: Dorothy Crawford Dir, Scr: Ian Jones Phot: Alan Arno...
Margheriti, Antonio Patricia MacCormack July 2004 Great Directors b. September 19, 1930, Rome, Italy d. November 4, 2002, Viterbo, Italy Filmography Select Bibliography Works Also Cited Web Resources Antonio Margheriti: Pastor of Perversion Take any literary work...
Ford Till ’47 Tag Gallagher April 2004 Feature Articles “The essential Ford composition is a person acting freely within a geometric space,” writes Gallagher in this close look at the first half of a great and complex career.
Making History: Errol Morris, Robert McNamara and The Fog of War Tom Ryan April 2004 Politics and the Documentary Matters of truth and perception, style and representation, ethics and political responsibility, history and human error all come to the fore in Morris' latest documentary, and are discussed here.
American Squalor: Crumb Marc Lauria April 2004 CTEQ Annotations on Film Crumb (1994 USA 119 mins) Source: Sharmill Films Prod Co: Crumb Partners I/Superior Pictures Prod: Lynn O'Donnell, Terry Zwigoff Dir: Terry Zwigoff Phot: Maryse Alberti Ed: Victor Livingston Mus: David B...
Witchfinder General Quentin Turnour April 2004 CTEQ Annotations on Film Witchfinder General/The Conqueror Worm (1968 Britain 88 mins) Source: Sharmill Films Prod Co: Tigon Prod: Arnold L. Miller, Louis Heyward Dir: Michael Reeves Scr: Michael Reeves, Tom Baker Phot: Johnny C...
This Little Piggy Went to Market: Slamdance X Film Festival Carloss James Chamberlin April 2004 Festival Reports PARK CITY – An overwarmed room somewhere in the Sodom of the Wasatch. People are looking at me with dog-eyes. They flit them down to my press-pass, which, to torture them, I have half tucked into my jacket....
Dancing about Architecture: Sundance Film Festival 2004 Bérénice Reynaud April 2004 Festival Reports There is a seductive cliche that runs through “cultural circles”: writing about dance makes about as much sense as dancing about architecture. What is implied here is not only a suspicion at the “folly” of ...
A Cinematic Campus: Berlinale 2004 Kevin Lee April 2004 Festival Reports Festival reports typically give the impression that their writers surveyed the proceedings from a high chair – no matter how intelligent the observations, there's seldom an indication of how the writer's ex...
Fulci, Lucio Patricia MacCormack April 2004 Great Directors b. June 17, 1927, Rome, Italy d. March 13, 1996, Rome, Italy filmography references bibliography web resources “And you will face the sea of darkness, and all therein that may be explored.” – ”The ...
2003 World Poll – Part 3 Various February 2004 2003 World Poll The Entries Miguel Marías Philip Matthews James May Olaf Möller Sarah Nichols Darragh O'Donoghue John Orr Alan Pavelin Alberto Pezzotta Jit Phokaew Mike Plante Jared Rapf...
Report from the AFI Film Festival: Bruno The Dog and Other Dreamers Bérénice Reynaud February 2004 Festival Reports I might have been the only accredited journalist who did not see a single American film at the latest American Film Institute (AFI) Film Festival last November (6-16) in Los Angeles. A mainstream filmmaking...
Ashby, Hal Darren Hughes February 2004 Great Directors b. September 2, 1929, Ogden, Utah, USA d. December 27, 1988, Malibu, California, USA filmography bibliography articles in Senses web resources I was born in Ogden, Utah, the last of four children. M...
Cacti Blossom in a Desert: Some Short Films of Abbas Kiarostami Jim Knox December 2003 Abbas Kiarostami Kiarostami's government-sponsored educational shorts have gained attention thanks to his later, acclaimed features; pointing to their example, Knox argues that some of the most rewarding cinema lies far outside the world of officially recognised "art".
Unpopular Populism, or The Decline and Fall of the Little Aussie Battler: Notes on Australian Film Comedy in 2003 Jake Wilson December 2003 Australian Contemporary Cinema This short essay argues that most recent Australian comedy films have been all too "ordinary" – but nominates one or two new directors as talents to watch.
Hong Kong Horror – The ’90s and Beyond Grady Hendrix December 2003 Feature Articles Back from the dead? Despite prophecies of doom, the Hong Kong film industry is now stronger than ever, with horror films a speciality. Hendrix provides all the gory details in this blow-by-blow account.
Hold Your Man David Boxwell December 2003 CTEQ Annotations on Film Hold Your Man (1933 USA 87 mins) Source: NLA/ACMI Prod Co: Metro-Goldwyn-Mayer Prod: Sam Wood Dir: Sam Wood Scr: Anita Loos (and story) and Howard Emmett Rogers Phot: Harold Rosson Ed: Frank Sullivan Art...
Ex-Lady Kendahl Cruver December 2003 CTEQ Annotations on Film Ex-Lady (1933 USA 67 mins) Source: Library of Congress Prod Co: Warner Bros-The Vitaphone Corporation Prod: Darryl F. Zanuck Dir: Robert Florey Scr: David Boehm, from the story by Edith Fitzgerald and Ro...
My Own Private Toronto: The 2003 Toronto Film Festival Dan Sallitt December 2003 Festival Reports The gap between the public face of the Toronto Film Festival and the experience of festival-goers continues to widen. Improbably enough, mild-mannered Toronto has come to signify movie stars and red carpets...
New York Film Festival 2003 – A Report Jared Rapfogel December 2003 Festival Reports Please note: discussions of individual films reveal plot details. Year after year I find myself frustrated by the New York Film Festival's extreme selectivity, its policy of showcasing only a handful of ...
After the Storm – the 8th Pusan International Film Festival Jungyeob Ji December 2003 Festival Reports 2003 wasn't a particularly good year for Korea, or Pusan, the port city located at the southern most tip of South Korea. A strong-arm hurricane “Maemi” of an intensity not seen for five decades stormed Pusa...
Ahwesh, Peggy John David Rhodes December 2003 Great Directors b. Pittsburgh, Pensylvania, USA, 1954 filmography bibliography web resources All serious art presents a challenge to its interlocutors, resists paraphrase and frustrates interpretation. The strange ...
Dancing with Myself, Drifting with My Camera: The Emotional Vagabonds of China’s New Documentary Bérénice Reynaud October 2003 Feature Articles A sweeping analysis of the rise and history of documentary filmmaking in China, its significance as a formally innovative medium and a voice for the marginalised.
Orchestration of Tears: The Politics of Crying and Reclaiming Women’s Public Sphere Saito Ayako October 2003 Feature Articles Examining the 1953 Japanese film Twenty-Four Eyes, Ayako unravels how affective discourses such as crying have been appropriated for "higher" purposes in Japanese history, making women's tears rarely their own.
The Last Picture Show: Film and Video Installation in the Late ’60s and Early ’70s Genevieve Yue October 2003 Cinema and the Gallery Yue looks at the late '60s, early '70s moment when cinema and video intermingled in the gallery space; in particular, she examines Anthony McCall's Line Describing a Cone and Bruce Nauman's Live-Taped Video Corridor as exemplars.
Singing in the Rain – Supercinematography by Peter Tscherkassky Alexander Horwath October 2003 Peter Tscherkassky & the Austrian Avant-Garde Tscherkassky's career, which ranges from work on Super 8 to 35mm, is distinctly post avant-garde, characterised by a unique approach to traditions of filmmaking, film theory, the physicality of film, the self and the history of cinema.
Hidden Agenda Bob Carroll October 2003 CTEQ Annotations on Film Hidden Agenda (1990 UK 108 mins) Source: Chapel Films Prod Co: Hemdale/Initial Prod: Eric Fellner Dir: Ken Loach Scr: Jim Allen Phot: Clive Tickner Ed: Jonathan Morris Art Dir: Martin Johnson Mus: Stewar...
Special Effects: Still in Search of Wonder by Michele Pierson John McGowan-Hartmann October 2003 Book Reviews (New York: Columbia University Press, 2002) In the Wachowski brothers' latest Matrix instalment, The Matrix Reloaded (2003), a featured scene presents a battle between Keanu Reeves' Neo and what appear to be...
Confessions of a Film Hater Dan Harper October 2003 Book Reviews David Thomson's film criticism continues to incite passion and debate. Harper takes a chilly view of the latest edition of his New Biographical Dictionary of Film...
Mackendrick, Alexander Monica Garrido October 2003 Great Directors b. September 8, 1912, Boston, USA d. December 22, 1993, Los Angeles, USA filmography bibliography articles in Senses web resources Alexander Mackendrick was born in Boston, Massachusetts in 1912 a...
Muratova, Kira Ruslan Janumyan October 2003 Great Directors b. November 5, 1934, Soroki, Romania (now Moldova) filmography web resources Of all the great Soviet film directors, Kira Muratova is considered to be the most esoteric. Not because she is a woman or...