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      Riding the New Wave: The Case of Bonnie and Clyde

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      February 2006
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      May 2022
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      Coming in from the Culled: A Review of A Postmodern Cinema: The Voice of the Other in Canadian Film by Mary Alemany-Galway

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      Mark Seton
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    • Cinephilia Reconsidered: Dorothy Wai Sim Lau’s East Asian Auteurism, Cinephilia and the Media Platform Era

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      Wheeler Winston Dixon
      May 2026

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      Ashish Dwivedi
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      Gregory Bennett
      August 2026

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      Desirae Embree
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    • A Pedagogy of Resistance: From Double Consciousness to the Unified Self in Spike Lee’s Malcolm X

      Sandra E. Lim
      July 2026

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      Michael Green
      July 2026

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Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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