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2007 World Poll
The New Wave Remembered: Focus on Charles BitschIntroduction to Dossier by Sally ShaftoWhen exactly is the 50th anniversary of the French Nouvelle Vague? Sally Shafto provides a brief rationale.Interview with Charles Bitsch by Sally ShaftoWide-ranging interview in which Bitsch discusses his youthful cinéphilia, his association with Cahiers du Cinéma, and his work with Jacques Rivette, Jean-Luc Godard, Jean-Pierre Melville, et al. So evocative, one can almost relive history in the making through his words.Charles Bitsch’s Filmography and Publications compiled by Sally ShaftoThe House or the Chaos by Luc MoulletAn elegant essay in praise of Bitsch’s films, written by fellow Cahiers du Cinéma critic and French New Wave director Luc Moullet.Interview with Orson Welles by André Bazin and Charles BitschIn the first decade of the Cahiers era, Bitsch conducted many interviews with Hollywood directors. He has expressed great fondness for this particular one – because of Welles and in memory of his co-interviewer, the legendary André Bazin.
Spotlight on Nina MenkesNina Menkes: The Warrior and her Jiang Hu by Bérénice ReynaudAn insightful analysis of Nina Menkes’ films and the many distinctive virtues they possess.Interview with Nina Menkes by David E. JamesFurther illuminating insights come from the voice of the filmmaker herself, who was recently the subject of a retrospective at the 2007 VIENNALE.
General Feature ArticlesM. Night Shyamalan: A Preliminary Report by Lesley BrillThe director of The Sixth Sense and Lady in the Water has experienced the highs and lows of critical and box-office reception. Brill takes stock of his career through an impressively detailed analysis of his features to date.Three Contemporary Spanish Films: Landscape, Recollection, Voice by Linda EhrlichIn this diary-essay, Linda Ehrlich offers some engaging impressions on three impressive films from Spain: El Cielo gira (2004), La Leyenda del tiempo (2006) and Unas Fotos … en la ciudad de Sylvia (2007).The Power of Resistance: Les Dames du Bois de Boulogne by Wheeler Winston DixonWheeler Dixon provides a refreshing look at one of the enduring masterpieces of French cinema.“… I’m Gone”; or Seven Characters in Search of an Exit: Some Reflections on Todd Haynes’ I’m Not There. by Adrian DanksOne of the most discussed films on recent release. Is it a measure of the film’s qualities or a result of the enduring fascination with all things Dylan? Danks separates the substance from the hype.Will the Real Revolution Please Stand Up: An Interview with Lech Kowalski by Jennifer JonesAn in-depth discussion with the director of such cult-music era-defining documentaries as Hey is Dee Dee Home, Born to Lose and the ‘Sex Pistols in America’ movie D.O.A., together with outstanding films such as Hitler’s Highway and, most recently, Winners and Losers. Surprising revelations are to be found in what Kowalski has to say on all manner of subjects.
Australian CinemaTheoretical Perspectives on Expanded Cinema and the “Cruel” Performance Practice of Dirk de Bruyn by Steven McIntyreThis essay revisits the concept of ‘expanded cinema’ that was so central to 1960s experimental practices and examines its relevance to contemporary film/performance pieces.“Am I crazy to make a film for only $100,000 or am I crazy not to?” Kriv Stenders goes Micro-budget Digital for Boxing Day by Alex MuntPart-essay and part-interview, Munt documents the development of Stenders’ highly praised low-budget feature from script to screen.Seeing in the Night: A Nocturne by Fiona VillellaIndependent writer-director Bill Mousoulis’ new feature ventures into the heart of darkness and Villella finds much to appreciate in its mesmeric æsthetics.Romulus, My Father by Fincina HopgoodReview of the recent DVD release of Richard Roxburgh’s début feature, an adaptation of Raimond Gaita’s acclaimed memoirs about his father.
DVD ReviewsKiller of Sheep: The Charles Burnett Collection (Milestone Film & Video) review by John Fidler * new articleSaved from the Flames: 54 Rare and Restored Films 1896-1944 (Flicker Alley) review by James L. Neibaur * new article
Festival ReportsGazing Lessons: German Films at the 58th Berlin International Film Festival by Mattias Frey * new articleCinema Unbound: Some notes on the 9th Festival des Cinémas Différents de Paris by Gabriela Trujillo * new articleThe Bridge: The 17th Film Festival Cottbus by Julian Petley * new articleGijón at the Turning Point: The 45th Gijón International Film Festival by Lidia Merás * new articleShadows on the Pier: The 48th Thessaloniki Film Festival by Jared Rapfogel * new articleFrom One Red Balloon to the Next: The 2007 AFI Fest/American Film Market by Bérénice ReynaudAdrift: The Experimenta Program at The Times BFI 51st London Film Festival by Mark HarwoodA Secret Sun Shines: The 5th Hong Kong Asian Film Festival by Ben ChoLost Poetics Past: The 50th International Leipzig Festival for Documentary and Animated Film by Olaf MöllerSnow Drift: The 2007 Lucca Film Festival by Maximilian Le CainThe Spirit of Oldenburg: The 14th Oldenburg Film Festival by Brad StevensCineSuspense: Le Giornate del Cinema Muto: The 26th Pordenone Silent Film Festival by Virginia Wright WexmanUnderground/Overground: The 1st Sydney Underground Film Festival by John ConomosWhy Women Rule: The 34th Telluride Film Festival by Rob PhillipsHolding Up the Other Half of the Sky: The 26th Vancouver International Film Festival by Bérénice ReynaudThe Political Matters. The Soul Does, Too. Wise Old Men Rule: The 64th Mostra Internazionale d’Arte Cinematografica: The Venice Film Festival by Barbara Wurm
Book ReviewsA Partial World Viewed: Film Fables and The Future of the Image by Jacques Rancière feature review by Tony McKibbinThe Cinema of Australia and New Zealand edited by Geoff Mayer and Keith Beattie review by Katherine FryPhysical Evidence: Selected Film Criticism by Kent Jones review by John FidlerBorn in Flames: Termite Dreams, Dialectical Fairy Tales, and Pop Apocalypses by Howard Hampton review by Patrick EllisJosh Hartnett Definitely Wants to Do This…: True Stories from a Life in the Screen Trade by Bruce Beresford review by Tom RyanDying to Belong: Gangster Movies in Hollywood and Hong Kong by Martha P. Nochimson review by Lindsay ColemanLetters to the Editor from Martha P. Nochimson and Lindsay Coleman * new article
Cinémathèque Annotations on FilmEaux d’Artifice: Wet Dreams and Water Sports in the Garden of Delights by Deborah AllisonThe End of St. Petersburg by Robert KeserThe Godless Girl by David SanjekHistoire(s) du cinéma by Alifeleti Brown“You Press the Button, We Do the Rest”: Some Thoughts on Péter Forgács’ The Land of Nothing by Adrian DanksRussian Ark by Pasquale IannoneState Legislature by John FidlerWild Night in El Reno by Brian DarrA Woman of Paris by James L. NeibaurRoman PolanskiDance of the Vampires/The Fearless Vampire Killers by Darragh O’DonoghueAndrzej and Krystyna go Boating: Roman Polanski’s Knife in the Water by Matthew ClayfieldMacbeth by Martyn BamberRosemary’s Baby by Pedro Blas GonzalezPainterly Moments in Roman Polanski’s Tess by Arthur RankinFrançois TruffautDay for Night by Brian Hoyle * new articleDuet for Three: Les Deux Anglaises et le Continent by Lee Hill * new articleMississippi Mermaid by Jonathan Dawson * new articleAndrzej WajdaAshes and Diamonds by Rahul Hamid * new articleA Generation and Kanal * by Boris Trbic * new articlePolish Reveries & Reflections: Andrzej Wajda’s Man of Marble by Adam Bingham * new article* denotes a republished annotation
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