Editorial

Look Both Ways: Interview with Sarah Watt and Andrew S. Gilbert by Jonathan Dawson
After the dire predictions of a crisis in the Australian cinema, a flurry of recent releases has raised the profile of local films, not least of which being Watt's début feature.

Surrealist Documentary: Reviewing the Real by Bruce Hodsdon
Famously, L'Âge d'or opens with a documentary on scorpions. The film was first screened publicly in Paris in November 1930. In honour of its 75th anniversary year, this article provides a critical overview of Surrealist uses and abuses of the documentary form.

On the Decline of the New Hollywood and the Prescience of Network by Greg Ng
Paddy Chayefsky's screenplay for Sidney Lumet's 1976 film foresaw much of what the current tele-visual cultural landscape would look like decades before it arrived at our doorstep.

Out of the Blue: Re-evaluating Electra-Glide in Blue by Bill Blick
One of the more forgotten movies of the 70s receives due appreciation.

Citizen Bickle, or the Allusive Taxi Driver: Uses of Intertextuality by John Thurman
This seminal film of the 1970s is explored as a force-field of references to film style, from Bresson to Godard, Rosi, Hitchcock, Ford, et al.

The Edge of Melancholy: Shampoo by Elaine Lennon

A Question of Authorship: The Yakuza by Elaine Lennon
American cinema of the 1970s would look decidedly different without the contribution of Towne's screenplays. Arguably, it is the decade in which he did his best work, with films such as Chinatown, The Last Detail and countless others, both credited and uncredited. Lennon provides two detailed examinations of his work.

Jacques Tati: Last Bastion of Innocence by Pedro Blas Gonzalez
An astute philosophical reflection on Tati's sublime films.

Muriel: The Time of Return by Crissa-Jean Chappell
The themes of time and memory haunt Alain Resnais' cinema, no less so than in this gem of early-60s modernist narrative.

Speaking For Others: Manifest and Latent Content in In a Year with Thirteen Moons by Justin Vicari
An insightful analysis of the complex interweaving of the personal and the political in one of Rainer Werner Fassbinder's most emotionally torturous of films.

Thinking of Cluny Brown by Ray Davis
“Squirrels to the nuts”. This great 1946 Ernst Lubitsch classic is elegantly pondered on.

John Ford's The Horse Soldiers by James Hawco
Notations on Ford's view of Civil War divisions in one of his late cavalry westerns.

Lacrimae Rerum Materialized by Tag Gallagher
An exploration of the Straubs' majestic œuvre, countering much of the received dogma that has surrounded perception of their work.

The Incompossible Language of Natural Aristocracy: Deleuze's Misreading of Visconti's The Leopard by Lucio Angelo Privitello
A theoretical counter-argument to Delueze's idea of the 'time-image' as addressed to this seminal film on Italian history.

Mike Leigh, Topsy-Turvy and the Excavation of Memory by Wheeler Winston Dixon
At first glance Topsy-Turvy may seem an atypical Leigh film, but Dixon argues that it is “a radical work masquerading as a conventional biopic.”

Blaine Allan Interviewed by Noel King
This acclaimed critic and writer discusses a range of issues related to Canadian film culture and its regional cinemas.

The Bleeding Eyes of a Festival Regular: The 14th Brisbane International Film Festival by Matthew Clayfield

Singing with a Purpose: Wartime Propaganda and Other Themes: The 19th Cinema Ritrovato by Jay Weissberg

A Latin American Gaze: Mar del Plata International Film Festival by Fernando Madedo

Looking Both Ways: The 54th Melbourne International Film Festival by Bill Mousoulis

Revealing Revelation: The Fiction, the Facts & the Subversion: Revelation 8: Perth International Film Festival by Tanja Vision

Reduced Quantity, Increased Quality, New Opportunities: The 22nd St Kilda Film Festival by Boris Trbic

Some Gems in a Modest Program: The 52nd Sydney Film Festival by Hamish Ford

Claire Denis by Martine Beugnet review by John Orr

This Wounded Cinema, This Wounded Life: Violence and Utopia in the Films of Sam Peckinpah by Gabrielle Murray review by Claire Perkins

Brain Sculpting and Cinema: Blow-Up: Photography, Cinema and the Brain by Warren Neidich review by Ove Christensen

The Spectacle of the Real: From Hollywood to “Reality” TV and Beyond edited by Geoff King review by Christian McCrea

Lethal Weapons, Die Hards and Terminators: Exploring Action-Adventure Cinema in Action Speaks Louder: Violence, Spectacle, and the American Action Movie by Eric Lichtenfeld and Action and Adventure Cinema edited by Yvonne Tasker review by Donna Peberdy

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5 profiles have been added to the Great Directors critical database:
Alan Clarke • Yilmaz Güney • Joris Ivens • Mitchell Leisen • James Whale

19 annotations have been added to the Cinémathèque Annotations on Film section:
Baby Face • The Bitter Tea of General Yen • British Sounds •
La Chinoise, ou plutôt à la chinoise: un film en train de se faire • Les Cousins • Forbidden • Forty Guns • House by the River • The Letter • No Man of Her Own • Parsifal • Porky Pig's Feat • Porky's Duck Hunt • Rabbit Punch and Rabbit Hood • Sorry, Wrong Number • Summer Storm • There's Always Tomorrow • Voyage to the Beginning of the World • Wackiki Wabbit

14 new lists have been added to the Top Tens section.