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Issue No. 23, November-December 2002
SPECIAL WOMEN'S ISSUE   Part 2
editorial for Issue 23

Topics In This Issue

Australian women            Australian romantic comedy            Claire Denis            Film Critics            The Female Actor            Avant-garde/Experimental Cinema            Doris Wishman            Essays/on/Films            Dame Darcy            Book Reviews
Film Festivals            CTEQ Annotations


to Rose Capp's interview with Jan Chapman
    Walk The Talk
For readers' opinions, see the Letters to the Editors page.

Women at Work: Interviews with Australian filmmakers

Interview with Jan Chapman by Rose Capp
Jan Chapman, one of Australia's pre-eminent film producers, speaks with Rose Capp about life, film and her brilliant career.

Interview with Sarah Stollman by Mandi Bialek-Wester
Esteemed production designer, Sarah Stollman, who has worked with such diverse directors as Todd Haynes and Rachel Perkins, talks freely here about her work, her process and her relationship with some of Australia's leading cinematographers and directors.

Interview with Mandy Walker by Rose Capp
Mandy Walker, one of Australia's leading cinematographers, talks about the long hours and many satisfactions of working behind the camera.

   advertisement
to the website for the Department of Film and Television Studies at the University of Warwick
Interview with Livia Ruzic by Rose Capp
Livia Ruzic, who has a long and distinguished career as a sound editor, talks to Rose Capp about the pleasures of sound editing, big bangs and working with Baz.

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Australian romantic comedy

Brazen Brides, Grotesque Daughters, Treacherous Mothers: Women's Funny Business in Australian cinema from Sweetie to Holy Smoke by Felicity Collins
Contemporary Australian women filmmakers rework the romantic comedy genre to incorporate women and their experiences.

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Spotlight: Claire Denis

to Aimé Ancian's interview with Claire Denis
Claire Denis  
Claire Denis: An Interview by Aimé Ancian
In this detailed, wide-ranging interview, Denis talks openly about her early fascination with literature, the beginnings of her filmmaking career, her collaborators and the latest film.

Making Contact: Claire Denis' Vendredi soir by Aimé Ancian
The release of Vendredi Soir in Paris gives Aimé another opportunity to reflect upon and appreciate the singularity of Claire Denis' cinema.

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to Bill Krohn's interview with Sylvie Pierre
 It's All True
Interviews: Critics

Interview with Sylvie Pierre by Bill Krohn
In this personal discussion, evolving via email, Sylvie Pierre talks eloquently with Bill Krohn about her time at Cahiers, May '68, the impetus to leave France, discovering Brazil, and the changes brought upon her worldview by this 'magical' place.

Interview with Manohla Dargis by Steve Erickson
Film critic for the L.A. Times, Manohla Dargis discusses her experiences writing for The Village Voice to editing the L.A. Weekly as well as film criticism today and being a film critic in L.A.

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The Female Actor

Cinema and the Female Star - A Symposium

to Cinema and the Female Star - A Symposium Part 1
Louise Brooks
 
to Cinema and the Female Star - A Symposium Part 2
Bulle Ogier
 
to Cinema and the Female Star - A Symposium Part 3
Natalie Wood
 
Part 1
 
Part 2
 
Part 3
 
Arletty
by Bernard Hemingway
Kate Hudson
by Peter Tonguette
Elizabeth Taylor
by Liz Burke
Stéphane Audran
by Ray Young
Anna Karina
by Christa Fuller
Lili Taylor
by Anna Daly
Halle Berry
by Charlie Kanganis
Ling, Po
by Feng-ying Ming
Fay Tincher
by Andrew Grossman
Louise Brooks
by Tina Marie Camilleri
Melina Mercouri
by Charlie Kanganis
Mari Töröcsik
by Dina Iordanova
Geneviève Bujold
by Girish Shambu
Samantha Morton
by Maximilian Le Cain
Natalie Wood
by Angela Costi
Bess Flowers
by Joe McElhaney
Cathy O'Donnell
by Brian Frye
Xiao, Fangfang
by Feng-ying Ming
Setsuko Hara
by Dan Harper
Bulle Ogier
by Jit Phokaew
Tsetsiliya Zervudaki
by Jorge Didaco

to Maria San Filippo's article on Catherine Deneuve
 The Umbrellas
  of Cherbourg
The Ornamentation of Nicole Kidman (Eyes Wide Shut) and Mita Vashisht (Kasba): a Sketch by Laleen Jayamanne
Jayamanne argues that, drawing on traditions of painting and eliciting a brand of performance, Kubrick and Shahani mobilise ornamentation to create femininity as a metamorphic force.

Two Women: The Dialectical Sexual Persona of Catherine Deneuve by Maria San Filippo
An overview of Deneuve's screen persona in key French and non-French productions.

Lyubov Orlova: Stalinism's Shining Star by Dina Iordanova
Throughout one of the grimmest eras of Soviet political history, Soviet mass audiences were enchanted by locally produced musical comedies starring the glamorous Lyubov Orlova.

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Women and early Avant-garde/Experimental Cinema

to Rosanna Maule's article on Germaine Dulac
   La souriante Madame Beudet
The Importance of Being a Film Author: Germaine Dulac and Female Authorship by Rosanna Maule
Rosanna Maule explores the career of Germaine Dulac, arguing that in addition to her status as a pioneering French filmmaker, she is equally historically significant as a theorist and prototypic auteur.

Photographs in Haunted Rooms: The Found Home Experimental Film and Merilee Bennett's A Song of Air by Adrian Danks
Adrian Danks discusses the interventionist strategies at work in the 'home experimental films' of local and international female filmmakers including Merilee Bennett and Su Friedrich.

top of issue 23
to Andrew Leavold's tribute to Doris Wishman
    Satan Was A Lady

Doris Wishman

Bad Girls Go To Dildo Heaven: An All-Nude Tribute To Doris Wishman by Andrew Leavold
Not only afraid to go where no man had gone before, Wishman also proudly maintained total artistic control of her films.

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Essays/on/Films

to Rose Capp's article on Jessica Stein and The Banger Sisters
Kissing Jessica Stein
Trash And Treasure: The Gleaners And I by Jake Wilson
Wilson's insightful analysis highlights the beauty and complexity of Varda's contemporary masterpiece.

Single White Female Seeking Same: the search for Sisterhood in Kissing Jessica Stein and The Banger Sisters by Rose Capp
Rose Capp reviews two recently released female friendship comedies, Kissing Jessica Stein and The Banger Sisters.

Manijeh Hekmat and Women's Prison by Alissa Simon
This new Iranian director addresses sensitive societal and political issues.

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to Jim Knox's article on Dame Darcy
Dame Darcy
Dame Darcy

Lyrical Anachronism: the visual imagination of Dame Darcy by Jim Knox
Knox discusses the unique sensibility of musician, animator and artist, Dame Darcy, who remains little known in contemporary film culture.

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Book Reviews

Women's Cinema: The Contested Screen by Alison Butler Book Review by Natalie Neill

Mother India by Gayatri Chatterjee Book Review by Laleen Jayamanne

You can order any of these books directly from Amazon.com
top of issue 23
to Girish Shambu's report on the 2002 Toronto International Film Festival
 Sex is Comedy at TIFF

Film Festivals

Toronto 2002: A Festival Report by Girish Shambu

Chinese films at the 27th Toronto International Film Festival - A Report by Shelly Kraicer

The 21st Vancouver International Film Festival - A Report by Lisa Roosen-Runge

The New York Film Festival 2002 - a Report by Jared Rapfogel
to Maximilian Le Cain's report on the 47th Cork Film Festival
Spider at the Cork Film Festival

The 47th Cork Film Festival - A Report by Maximilian Le Cain

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Cinémathèque Annotations on Film

The following are annotations for films screening at the Melbourne Cinémathèque on Wednesdays during November and December.

Editorial
Click here for information on the editors of the annotations, the Melbourne Cinémathèque and queries regarding contribution.

to James Leahy's CTEQ Annotations article on Santiago Alvarez
Santiago Alvarez with 
Fidel Castro & Alfredo Guevara  
Footage Fetishist by Adrian Danks
The Merry Widow screens on Wed, November 27, 8:45 p.m.

Films that Make a Difference. Santiago Alvarez and the Politics of Bengal by James Leahy
Ciclon screens on Wed, December 4, 7:00 p.m.

Ciclon by Travis Wilkerson
This film screens on Wed, December 4, 7:00 p.m.

79 Springtimes of Ho Chi Minh by Travis Wilkerson
This film screens on Wed, December 4, 7:00 p.m.

Introduction to Black Girl by Rahul Hamid
This film screens on Wed, December 4, 7:50 p.m.

Closely Observed Trains by Roger Hillman

Bezhin Meadow by David Ehrenstein
This film screens on Wed, December 11, 7:00 p.m.

Ballad of a Soldier by Julia Levin
This film screens on Wed, December 11, 9:30 p.m.

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to Rahul Hamid's CTEQ Annotations for Black Girl
Ousmane Sembene


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