Senses of Cinema  
archive of contents

Issue No. 16, September - October 2001
editorial for Issue 16

Topics In This Issue

Contemporary Australian Film     John Cassavetes     French Cinema Present And Past     Essays/on/Films     MIFFreport,  Errol Morris,  Korean film     BIFFreport,  Budd Boetticher     Festivals and Conferences     CTEQ Annotations


Contemporary Australian Film

go to He Died With A Felafel In His Hand article
     He Died With A Felafel In His Hand

Sharing, Not Caring: He Died With A Felafel In His Hand by Jake Wilson
Untransformed by brief encounters in a share house: Wilson weighs up Lowenstein's latest instalment in the share household genre.

From Stage to Screen: Silent Partner by John Flaus
A precise and insightful analysis of the differences between stage and screen in relation to this film.

La Spagnola: Spanish mission fails to conquer by Rose Capp
A case of simplifying cultural difference: Capp considers this recent contribution to the crop of local multiculturally inflected films.

go to Lantana article
Lantana

Caught in the Web: Ray Lawrence's Lantana by Mark Freeman
Sifting through its multiple narratives, Freeman glowingly reports on this performance-driven Australian film.

The boys from the bank - The Bank by Jonathan Dawson
Perhaps the first Australian film to deal in stock market crashes and corporate misbehaviour: Dawson regards it as fine and fascinating.

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John Cassavetes

For further articles on John Cassavetes, see Canadian film journal Cinema Scope

John Cassavetes
      John Cassavetes

John Cassavetes: Inventor of Forms by Adrian Martin
This article is now hosted on the PANDORA archive of the National Library of Australia and Partners.
An analysis of Cassavetes' style and a survey of current critical writing on the filmmaker.

"Die for Mr. Jensen": Cassavetes' A Woman Under the Influence by Nicole Brenez     French     English
This article is now hosted on the PANDORA archive of the National Library of Australia and Partners.
Brenez considers the figural possibilities of this film, how it puts into play the "plasticity of creatures".

Meet John Cassavetes by Christos Tsiolkas
A review of Ray Carney's recent books on Cassavetes and a heartfelt homage to the director.

Imperfection by Gilberto Perez
Part review of recent books on Cassavetes and part discussion of the fiction-documentary, art-life binaries and notions of performance operative in Cassavetes' cinema.

Performing the everyday: time and affect in John Cassavetes' Faces by Effie Rassos
An astute analysis of the affective and unconventional nature of time in this Cassavetes film in particular.

Identity in the films of Cassavetes by Maximilian Le Cain
Cain traces the rise of character-studies and the theme of identity and performance in Cassavetes' late phase.

Performing Aging/Performance Crisis (for Norma Desmond, Baby Jane, Margo Channing, Sister George, and Myrtle) by Jodi Brooks
An insightful reading of Opening Night in relation to "ageing actress" films of the '40s and '50s.

John Cassavetes Filmography

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French Cinema Present And Past

Spirits In The Night - A reply to Adrian Martin on Garrel's L'Enfant secret by Fergus Daly
A continuing, poetic dialogue on a 'sacred' film and a reflection on film criticism and cinephilia.

René Clair - author-legislator by Noël Herpe     French     English
An insightful analysis of Clair as equal parts theoretician and practitioner, a visionary and inspiring figure in early cinema.

Interview with Eric Rohmer by Aurélien Ferenzi     French     English
Rohmer here discusses his latest film, a period drama shot on digital video.

go to Eric Rohmer interview
      The Lady and the Duke
       (Eric Rohmer, 2001)

go to Jacques Rivette interview
Jacques Rivette   
The Captive Lover - An interview with Jacques Rivette by Frédéric Bonnaud
Learn here exactly what films - both contemporary and from the past - Rivette both admires and detests.

Before and After: Origins and Death in the Work of Jean-Luc Godard by André Habib
Habib illuminates the Godardian motifs of beginnings and endings, crucifixions and resurrections, origins and destinations from biographical, historical and poetic angles.

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Essays/on/Films

to 'The Vertical Ray of the Sun' article
      The Vertical Ray of the Sun
Vibrant Expressionism and Muted Melodrama: The Vertical Ray of the Sun by Elizabeth Wright
A sensitive and astute consideration of a film working in the seemingly popular contemporary genre of the multiple, interlocking narrative.

Reflections on Coppola, Director's Cuts, and Apocalypse Now Redux by Maria San Filippo
A lively and probing discussion of the phenomenon of 'director's cuts' and how well Coppola's revamped war saga rates.

London Calling: Sexy Beast by Adrian Danks
Surprises in store in this contemporary reworking of the British gangster film.

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The 50th Melbourne International Film Festival

go to Errol Morris interview
     Temple Grandin from First Person
The work of a festival: a report on the 50th Melbourne International Film Festival by Fiona A. Villella
Weighing up Melbourne's latest international film festival.

Errol Morris Interview by Tom Ryan
Discovering that Morris' favourite American film of all time is Detour is just one thing you take away from this comprehensive and fascinating interview.

Korean Films at the 2001 Melbourne International Film Festival by Boris Trbic
A large section of the Festival's program was devoted to this extraordinarily accomplished national cinema.

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go to BIFF report
  Everybody Famous at BIFF
The 10th Brisbane International Film Festival

A report on the 2001 Brisbane International Film Festival by Vicki Englund
Discussing various aspects of Brisbane's 10th International Film Festival.

Budd Boetticher by John Flaus
An overview of the Western myth and the art of Boetticher.

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Festivals and Conferences

go to Karlovy Vary Film Festival report
   Iady, ili Vsemirnaia istoriia otravlenii
    at the Karlovy Vary Film Festival
A Window Both Ways - Central and East European film at the 36th Karlovy Vary International Film Festival by Andrew James Horton
A comprehensive and highly informative overview of what is an important European film festival, especially symbolic is its balanced programming between films from the West and the East.

Report on the 1st World Student Film Festival by Patrick Crogan
The very first World Student Film Festival, including Shohei Imamura as head of its organising committee, was held recently in Okinawa.

A report on the 2nd Sydney Asia Pacific Film Festival by Michael Park
Going from strength to strength, the 2nd SAPFF was an overwhelming success this year.

A report on the 4th Cinesonic conference by Fiona A. Villella
The latest offering by the world's only conference devoted to film scores and sound design discussed.

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Cinémathèque Annotations on Film

The following are annotations for films screening at the Melbourne Cinémathèque on Wednesdays during September, October and November.

Editorial
Click here for information on the editors of the annotations, the Melbourne Cinémathèque and queries regarding contribution.

Body Melt
   Body Melt

Strange Things: Body Melt by Adrian Martin
This article is now hosted on the PANDORA archive of the National Library of Australia and Partners.
This film screens on Wed, September 26, 7:00 p.m.

The Man from Hong Kong by Stephen Teo
This film screens on Wed, September 26, 8:40 p.m.

Removed and The Morphology of Desire by Clare Stewart
These films screen on Wed, October 3, 7:00 p.m.

The Conscious Collusion of the Stare: The Viewer Implicated in Fassbinder's Fear Eats the Soul by Julian Savage
This film screens on Wed, October 3, 9:25 p.m.

The Unknown by Michael Koller
This film screens on Wed, October 17, 7:00 p.m.

to The Umbrellas of Cherbourg article
The Umbrellas of Cherbourg   

The Mummy by Michael Koller
This film screens on Wed, October 17, 8:00 p.m.

Targets by Andre Speldewinde
This film screens on Wed, October 17, 9:25 p.m.

Cross of Iron by Gabrielle Murray
This film screens on Wed, October 24, 7:00 p.m.

"Attack" by Richard Armstrong
This film screens on Wed, October 24, 9:10 p.m.

Stingin' in the Rain: The Umbrellas of Cherbourg by Peter Kemp
This film screens on Wed, October 31, 7:15 p.m.

The Art of Memory: Terence Davies' Distant Voices, Still Lives by Adrian Danks
This film screens on Wed, November 7, 7:00 p.m.

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