Realised Mysticism: La Passion de Jeanne d’Arc Thomas Beltzer May 2006 CTEQ Annotations on Film La Passion de Jeanne d’Arc (1928 France c. 90 mins) Source: Vigo Films Prod Co: Société Générale des Films Dir: Carl Theodor Dreyer Scr: Carl Theodor Dreyer, Joseph Delteil, based on the original records...
La Mano Negra: Julio Cortázar and his Influence on Cinema Thomas Beltzer April 2005 Feature Articles Michelangelo' Antonioni's Blowup is perhaps the best known of the many films inspired or adapted from Cortazar's remarkable body of literature. This article considers the important legacy of the Argentine writer's influence on cinema.
A Face in the Crowd Thomas Beltzer April 2004 CTEQ Annotations on Film A Face in the Crowd (1957 USA 125 mins) Source: ScreenSound Australia Prod Co: Newtown Productions/Warner Bros. Prod, Dir: Elia Kazan Scr: Budd Schulberg, based on his story The Arkansas Traveller Phot:...
Crime and Punishment: A Neglected Classic Thomas Beltzer April 2004 CTEQ Annotations on Film Crime and Punishment (1935 USA 88 mins) Source: NLA/ACMI Prod Co: Columbia Prod: B. P. Schulberg Dir: Josef von Sternberg Scr: Joseph Anthony, S. K. Lauren, from the novel by Feodor Dostoyevsky Phot: Luc...
The Incarnate Transcendence of Ordet Thomas Beltzer October 2003 CTEQ Annotations on Film Ordet (1955 Denmark 126 mins) Source: NLA/ACMI Prod Co: A/S Film Centrlen Palladium Prod: Carl Theodor Dreyer, Erk Nielsen, Tage Nilesen Dir: Carl Theodor Dreyer Scr: Dreyer from the play by Kaj Munk Pho...
von Trier, Lars Thomas Beltzer October 2002 Great Directors b. Lars Trier b. April 30, 1956, Copenhagen, Denmark filmography bibliography articles in Senses web resources Lars von Trier: The Little Knight In Tranceformer: A Portrait of Lars von Trier (Stig ...
Last Year at Marienbad: An Intertextual Meditation Thomas Beltzer November 2000 Novel and Film A discussion of the origins and intertextuality of Last Year at Marienbad.
Dogs in Hell: No Exit Revisited Thomas Beltzer May 2000 Feature Articles An essay which draws parallels between Tarantino's Reservoir Dogs and Jean-Paul Sartre's play No Exit.
