Author Rolland Man

In his book In Praise of Shadows Junichiro Tanizaki identified in 1933 the attraction to shadows as one principle of Japanese aesthetics: “We delight in the mere sight of the delicate glow of fading rays clingi...

There seems to be a curious near-unanimity among critics and historians of cinema that attributes the paternity of Desire (1936) to its producer, Ernst Lubitsch, rather than to its credited director, Frank Borz...

By Ermanno Olmi’s own admission, I fidanzati (The Engagement), his third feature, is a pivotal work in his career. His first feature, Il tempo si è fermato (Time Stood Still, 1959) had been accused by Italian c...