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      Walerian Borowczyk’s Heroines of Desire

      Raymond Vouillamoz
      July 2005
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      Amir Hossein Siadat
      November 2023
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      Tyler Thier
      November 2023
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      Aryan Tauqeer Khawaja
      November 2023
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      Oliver Kenny
      November 2023
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      Frankie Kanatas
      November 2023
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      Laleen Jayamanne
      August 2023
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      Raymond Vouillamoz
      July 2020
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      Gary M. Kramer
      November 2023
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      Mike Hoolboom
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      Amanda Barbour
      November 2023
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      Amanda Barbour
      November 2023
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      Öykü Sofuoğlu
      November 2023
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      Jaimey Fisher & Gerd Gemünden
      November 2023
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      Raymond Vouillamoz
      July 2005
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      Deborah Allison
      November 2023
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      Jeremy Carr
      November 2023
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      Jeremy Carr
      May 2023
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      Benjamin Kooyman
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      Sherry Johnson
      January 2023
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      Giampiero Frasca
      January 2023
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      Raymond Vouillamoz
      May 2023
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      Gabrielle Stecher
      November 2023
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      Eloise Ross
      August 2023
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      Jacob Agius
      October 2022
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      Joy McEntee
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      May 2022
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      Jeremy Carr
      May 2022
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      Political all the Way: the 62nd Sydney Film Festival

      Raymond Vouillamoz
      September 2015
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      Xiang Fan
      November 2023
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      Roger Macy
      November 2023
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      Jonathan Mackris
      November 2023
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      Roger Macy
      November 2023
    • Dealing with the past, and present, at the 29th Sarajevo Film Festival

      Randy Malamud
      November 2023
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      Jaimey Fisher
      November 2023
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    • Better Living through Criticism

      The Critic as Creator: Better Living through Criticism, by A.O. Scott

      Raymond Vouillamoz
      June 2017
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    • Facing the Other: Keyvan Manafi’s The Eye of the Cinematograph: Levinas and Realisms of the Body

      M. Sellers Johnson
      November 2023
    • A Man of Genius Has Been Seldom Ruined But By Himself: Ethan Warren’s The Cinema of Paul Thomas Anderson

      Hannah Bonner
      November 2023
    • The Rebellious and the Rigorous: The Red Years of Cahiers du cinéma (1968-1973), by Daniel Fairfax

      Tony McKibbin
      August 2023
    • A Journey through Serge Daney’s Cinema House

      Emmanuel Bonin
      August 2023
    • Bloody, Raging Females: Five Books Examine Contemporary Feminist Horror Films

      Holly Willis
      May 2023
    • Cinematic Bottom-Feeding: Why It’s OK to Love Bad Movies, by Matthew Strohl

      Sam Woolfe
      May 2023
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      Raymond Vouillamoz
      March 2013
      CTEQ Annotations on Film
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      Grace Boschetti
      November 2023
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      Adrian Danks
      November 2023
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      Darragh O’Donoghue
      November 2023
    • A Rainha Diaba

      Mateus Nagime
      November 2023
    • No longer lost, now remembered: A conversation with Rafael de Luna Freire about Antes, o Verão

      Eloise Ross
      November 2023
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      Guilherme Carréra
      November 2023
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Author Raymond Vouillamoz

Raymond Vouillamoz

Raymond Vouillamoz has worked since the 1960s as a journalist, director and producer. He was Head of Fiction and Head of Entertainment at Télévision Suisse Romande, then Head of Fiction at La Cinq and Director of Programming at France 3. From 1993 to 2003 he was Director of Programming and News at TSR. In 2014 he published his memoirs, Zapping Intime (Lausanne: Favre).

Recollections of Coproducing Two Videos by Jean-Luc Godard for Prime-Time on Télévision Suisse Romande: Voyage à travers un film (Sauve qui peut (la vie)) (1981) and Scénario du film Passion (1982)

Raymond Vouillamoz
July 2020
Feature Articles
Spécial Cinéma Spécial Cinéma was a weekly programme on Télévision Suisse Romande (TSR, public broadcaster in French-speaking Switzerland). First broadcast on September 25, 1974 it came to an end in the spring...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

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