• Features
  • Festival Reports
  • Book Reviews
  • CTEQ
  • Great Directors
  • Special Dossiers
  • Past Issues
  • Podcast
  • Support us on Patreon
Search
Senses of Cinema logo
  • Features
    Random

    • The Crew: Antonioni’s Australian film that was not to be

      Joshua Glick and Masha Shpolberg
      March 2015
      Feature Articles
    Recent

    • Criminals Against Decoration: Modernism as a Heist

      Andy Reischling
      October 2020

    • The New-Ark: trying to disavow anti-blackness

      Andrew Brooks
      October 2020

    • Claustrophobia and Intimacy in Alex Ross Perry’s Queen of Earth and Her Smell

      Zoë Almeida Goodall
      October 2020
    • Wanda (Barbara Loden,1971)

      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020

    • Come and See The Painted Bird: A Filmmaker’s Plea

      Salvador Carrasco
      October 2020

    • Thresholds of Work and Non-Work in Tulapop Saenjaroen’s People on Sunday

      Steffanie Ling
      October 2020
  • Festival Reports
    Random
    • article placeholder

      Inside and Outside: The 2006 AFI Fest/American Film Market

      Joshua Glick and Masha Shpolberg
      May 2007
      Festival Reports
    Recent

    • Dreaming of the Mountains: The 9th Dharamshala International Film Festival

      Sucheta Chakraborty
      January 2021

    • Ghost Cities: The 58th Viennale

      Leonardo Goi
      January 2021

    • Queer and Australian Features at the 2020 Adelaide Film Festival

      Stuart Richards
      January 2021

    • Korean Cinema’s Self-Portrait: The 25th Busan International Film Festival

      Marc Raymond
      January 2021

    • Live Through This: The 2020 Adelaide Film Festival

      Saige Walton
      January 2021

    • “Sense of Place”: The 33rd Tokyo International Film Festival

      Kohei Usuda
      January 2021
  • Book Reviews
    Random

    • Re-Imagining Animation: The Changing Face of the Moving Image by Paul Wells and Johnny Hardstaff

      Joshua Glick and Masha Shpolberg
      December 2010
      Book Reviews
    Recent

    • Revising a Concept: Cinema Expanded: Avant-Garde Film in the Age of Intermedia, by Jonathan Walley

      Holly Willis
      January 2021

    • When Everything Seemed Possible: London’s Arts Labs and the 60s Avant-Garde by David Curtis

      Wheeler Winston Dixon
      January 2021

    • “Memories Are Made of This”: Juliane Lorenz and Lothar Schirmer’s R.W. Fassbinder: Film Stills, 1966-1982

      Eric Gudas
      January 2021

    • Beneath the Tuxedo Elegance: Cary Grant: The Making of a Hollywood Legend, by Mark Glancy

      Tom Ryan
      January 2021

    • Anarchist Cinema: A Dream of Resistance: The Cinema of Kobayashi Masaki by Stephen Prince

      Karthick Ram Manoharan
      January 2021

    • Trade Follows the Film: Cinema and the Wealth of Nations: Media, Capital, and the Liberal World System by Lee Grieveson

      Daniel Fairfax
      October 2020
  • CTEQ
    Random
    • article placeholder

      Alluring Absence: La Captive

      Joshua Glick and Masha Shpolberg
      April 2004
      CTEQ Annotations on Film
    Recent

    • Stairways to Paradise: Youssef Chahine and Alexandria…Why?

      David Melville
      October 2020

    • At Home Among Strangers (Свой среди чужих, чужой среди своих, Nikita Mikhalkov, 1974)

      Darragh O’Donoghue
      October 2020

    • German Yearnings, East and West: The Sons of Great Bear (Josef Mach, 1966)

      Donovan Renn
      October 2020

    • Waiting for Rain: Oppression and Resistance in Youssef Chahine’s The Land (1970)

      David Heslin
      October 2020

    • Of East and West and High and Low: Lemonade Joe (1964)

      Cerise Howard
      October 2020

    • A Man from the Boulevard des Capucines (Chelovek s bulvara Kaputsinov, Alla Surikova, 1987)

      Martyn Bamber
      October 2020
  • Great Directors
    Random

    • Sturges, Preston

      Joshua Glick and Masha Shpolberg
      July 2004
      Great Directors
    Recent

    • Scott, Tony

      Jeremy Carr
      October 2020

    • Menzel, Jiří

      Brendan Black
      October 2020

    • Wise, Robert

      Adrian Schober
      April 2020

    • Fernández, Emilio “Indio”

      Abel Muñoz Hénonin
      April 2020

    • Fei Mu

      Jasper Mäkinen
      October 2019

    • Huston, John

      Bruce Jackson
      July 2019
  • World Poll
  • Support Senses
  • Shop
  • Subscribe
  • About Senses of Cinema
    • Contact Us
    • Staff
    • Thank you to our Patrons
    • Style Guide
  • Latest
  • Past Issues
  • Special Dossiers
  • Interviews
  • Podcast
  • Advertisers
  • Proposals
  • Call for Submissions
more articles... more articles... more articles... more articles... more articles...

Author Joshua Glick and Masha Shpolberg

Joshua Glick and Masha Shpolberg

Joshua Glick is Assistant Professor of English and Film Studies at Hendrix College and Masha Shpolberg is a Ph.D. Student in Film and Media Studies and Comparative Literature at Yale University.

Hot Springs film festival

Hot Springs Documentary Film Festival    

Joshua Glick and Masha Shpolberg
December 2015
Festival Reports
The Arlington Hotel, the nerve centre of the Hot Springs Documentary Film Festival, feels electric come October. Built in 1924, the Spanish Colonial-style hotel hosts most of the festival’s screenings, making f...

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

© Senses of Cinema 2019

Staff Members

Editors:

Michelle Carey • Daniel Fairfax • Fiona Villella • César Albarrán-Torres

Contributing Partner

Donate to Senses

Click here to make a donation. If you are an Australian resident, any donations over $2 are tax deductible.

Search

  • About Senses of Cinema
  • Contact Us
  • Privacy
  • Proposals
  • Advertisers
  • Staff