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      The Book, the Goddess and the Hero: Sexual Politics in the Chinese Martial Arts Film

      Joshua Glick and Masha Shpolberg
      May 2003
      Feature Articles
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    • Respecting the Lives of Others: Bergman Island, Hommage and Anaïs in Love

      Anthony McKibbin
      August 2022

    • Protestploitation ’70: Revisiting Zabriskie Point and Strawberry Statement

      Selen Ozturk
      July 2022

    • More than a Wink: The Nature of Reality in Blow-Up and Las Babas del Diablo

      Will Hair
      July 2022

    • Suicide and Genius: Insights into One Episode of Akira Kurosawa’s Dreams

      Matthew Michaud & Justin Richardson
      July 2022

    • Interrogating Identity: The Fractal Self in Le petit soldat

      Michael James Beck
      July 2022

    • Bigger than life, or stranger: Pedro Costa’s Vitalina Varela: Part III

      Thomas Austin
      July 2022
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    • “It’s Good to Lose Control”: An Interview with Valeska Grisebach

      Joshua Glick and Masha Shpolberg
      March 2019
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    • “Resistance is the driving force of the film”: An Interview with Davy Chou

      Maja Korbecka
      July 2022

    • The Plains: Conversation with David Easteal

      Maria Giovanna Vagenas
      July 2022

    • Human is only human when vulnerable: An Interview With Michel Franco

      Savina Petkova
      May 2022

    • ‘I Was Taunting the Western’: An Interview with Alejandra Márquez Abella

      Silvia Spitta & Gerd Gemünden
      May 2022

    • “The Act of Filming is an Inner and Physical Journey in Itself”: Interview with Helke Misselwitz

      Victor Paz
      May 2022

    • Information as a music video, comedy as a diagram: Beny Wagner & Sasha Litvintseva in conversation

      Madeleine Collier
      May 2022
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    • Clarke, Alan

      Joshua Glick and Masha Shpolberg
      October 2005
      Great Directors
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    • Smith, Jack: Travails of an Underground Artist

      Sanya Osha
      May 2022

    • Desai, Manmohan

      Darragh O’Donoghue
      May 2022

    • Curtiz, Michael

      Jeremy Carr
      January 2022

    • Lau, Kar-leung

      Tom Cunliffe
      January 2022

    • Tahimik, Kidlat 

      Charles Fairbanks
      January 2022

    • Lucas, George

      Dan Golding
      July 2021
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      Joshua Glick and Masha Shpolberg
      May 2022
      Great Actors
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    • Lansbury, Angela

      Joy McEntee
      May 2022

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      Wheeler Winston Dixon
      May 2022

    • Magee, Patrick

      Mark Lager
      May 2022

    • Cage, Nicolas

      Jessica Balanzategui
      January 2022
  • Festival Reports
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    • Beyond the Frame: The 61st Sydney Film Festival

      Joshua Glick and Masha Shpolberg
      October 2014
      Festival Reports
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    • Sundance Film Festival 2022

      Bérénice Reynaud
      August 2022

    • Is this the real life? Is this just fantasy? The 56th Karlovy Vary International Film Festival

      Cerise Howard
      August 2022

    • Normality: The 2022 Cannes Film Festival

      Daniel Fairfax
      August 2022

    • 36th Cinema Ritrovato Gets Covid in the Tail

      Roger Macy
      July 2022

    • Keeping the Fires Burning: A Week at the San Francisco Silent Film Festival

      Jonathan Mackris
      July 2022

    • New Territories and Old Dreams of Independence – Chinese and Hong Kong documentaries at the Taiwan International Documentary Festival

      Judith Pernin
      July 2022
  • Book Reviews
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    • Flowering Blood: The Cinema of Takeshi Kitano, by Sean Redmond

      Joshua Glick and Masha Shpolberg
      March 2014
      Book Reviews
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    • Trafic at 30, End of a Film Journal

      Emmanuel Bonin
      July 2022

    • How to Do Things with Camera Movement: The Lure of the Image: Epistemic Fantasies of the Moving Camera, by Daniel Morgan

      Kyle Barrowman
      May 2022

    • The Depths of Empiricism: Werner Herzog: Ecstatic Truth and Other Useless Conquests, by Kristoffer Hegnsvad

      Tony McKibbin
      January 2022

    • Hollywood, Reinvented: Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic, by Glenn Frankel

      Elroy Rosenberg
      January 2022

    • Rhythm and Light: Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick, and Ruiz, by Laleen Jayamanne

      Steven Shaviro
      July 2021

    • West Side Story Redux: West Side Story: The Jets, the Sharks, and the Making of a Classic, by Richard Barrios

      Adrian Schober
      July 2021
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    • Acto de Primavera and the Uncompromising Vision of Manoel de Oliveira

      Joshua Glick and Masha Shpolberg
      October 2011
      CTEQ Annotations on Film
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    • Ma Vie de Courgette (My Life as a Courgette, Claude Barras, 2016)

      Cristina Johnston
      September 2022

    • Les Olympiades (Paris, 13th District, Jacques Audiard, 2021)

      Darragh O’Donoghue
      September 2022

    • Girlhood (Céline Sciamma, 2014)

      Holly Willis
      September 2022

    • Petite Maman (Céline Sciamma, 2021)

      Louise Cain
      September 2022

    • Tomboy (Céline Sciamma, 2011)

      Faith Everard
      September 2022

    • Shadows of Forgotten Ancestors (Sergei Parajanov, 1965)

      Wheeler Winston Dixon
      July 2022
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Author Joshua Glick and Masha Shpolberg

Joshua Glick and Masha Shpolberg

Joshua Glick is Assistant Professor of English and Film Studies at Hendrix College and Masha Shpolberg is a Ph.D. Student in Film and Media Studies and Comparative Literature at Yale University.

Hot Springs film festival

Hot Springs Documentary Film Festival    

Joshua Glick and Masha Shpolberg
December 2015
Festival Reports
The Arlington Hotel, the nerve centre of the Hot Springs Documentary Film Festival, feels electric come October. Built in 1924, the Spanish Colonial-style hotel hosts most of the festival’s screenings, making f...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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