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  • Dossiers
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    • The Cinemas of Interactions: Cinematics and the ‘Game Effect’ in the Age of Digital Attractions

      Iskandar Abdalla
      December 2010
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    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
    • Consent Puzzles in the Oslo Stories Trilogy by Dag Johan Haugerud

      Colette de Castro
      July 2026
    • The Eternal Return: The Battle of Algiers at 60

      Salvador Carrasco
      July 2026
    • Beyond Revolution as Romance: On the Enduring Relevance of Humberto Solás’ Lucía

      Pritish Das
      July 2026
    • Bee and Bresson: Pickpocket and its Painting

      Leonard Schwartz
      July 2026
    • A Cinema of Survivances: On Lucrecia Martel’s Nuestra tierra

      Jens Andermann
      May 2026
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    • Afterwater: A Conversation with Dane Komljen

      Iskandar Abdalla
      March 2023
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    • An Interview with Giulio Bertelli

      Gary M. Kramer
      July 2026
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      Amanda Barbour
      July 2026
    • Time and Tide: In Conversation with Director Vee Shi and Cinematographer-Producer Nicholson Ren

      Đăng Tùng Bạch
      July 2026
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      Arindam Sen
      July 2026
    • “What is a complete image of oil?”: An Interview with Sanaz Sohrabi

      Botagoz Koilybayeva
      July 2026
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      Gary M. Kramer
      July 2026
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      Iskandar Abdalla
      December 2002
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      Florian Zappe
      July 2026
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      Patrick F. Campos
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      Nicholas Buccheri
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      Sherry Johnson
      May 2026
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      Steve Johnson
      January 2026
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      Ashish Dwivedi
      November 2025
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      Iskandar Abdalla
      August 2024
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      Tony Williams
      May 2026
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      Andy Hageman
      January 2026
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      Indigo Bailey
      November 2025
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      Colette de Castro
      July 2025
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      Tony Williams
      May 2025
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      Tony Williams
      May 2025
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      Lo and Behold: The 60th BFI London Film Festival

      Iskandar Abdalla
      December 2016
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      Marc Raymond
      July 2026
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      Daichi Ogi
      July 2026
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      Susana Bessa
      July 2026
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      Stefan Solomon
      July 2026
    • Shanghai IFF 2026: Things that Change, Things that Don’t

      Maja Korbecka
      July 2026
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      Botagoz Koilybayeva
      May 2026
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      Experimental Cinema in the Digital Age (BFI 2001) by Malcolm Le Grice

      Iskandar Abdalla
      March 2002
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    • Feeling the Screen Story’s Pulse: Karen Pearlman’s Cutting Rhythms: Creative Film Editing

      Mark Seton
      July 2026
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      Ragib Rahman
      July 2026
    • Cinephilia Reconsidered: Dorothy Wai Sim Lau’s East Asian Auteurism, Cinephilia and the Media Platform Era

      Jiahan Olivia Lin
      July 2026
    • A Radical Resurgence from the Rubble: Duncan Reekie’s BOOM! The Exploding Cinema and the New London Underground

      Wheeler Winston Dixon
      May 2026
    • Fame amid the Ruins: Italian Film Stardom in the age of Neorealism by Stephen Gundle

      Ashish Dwivedi
      May 2026
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      Scott Robinson
      May 2026
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      “The ragged end of nowhere”: Alfred Hitchcock’s Notorious (1946)

      Iskandar Abdalla
      June 2015
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    • Le jour se lève: Along the noir continuum

      Shari Kizirian
      October 2026
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      Daniel Phuoc Wilson
      October 2026
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      Brad Weismann
      October 2026
    • Trouble in Paradise: Ikarie XB 1’s Music and Sound

      Austin Lancaster
      October 2026
    • Lisa and the Devil

      Inge Fossen
      September 2026
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      Alexia Kannas
      September 2026
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Author Iskandar Abdalla

Iskandar Abdalla

Iskandar Abdalla is a researcher, curator, and educator, born in Alexandria, Egypt, and based in Berlin. He has published numerous contributions on topics including secularism and sexuality, film and memory, queer representations, and queer viewing practices in Arab cinema. He also serves as the artistic director of the Arab Film Festival Berlin (ALFILM).

How to Watch Films in Times of Despair? ALFILM’s take on Palestine, Solidarity and the Power of Imagination

Iskandar Abdalla
May 2025
Enduring Frames: Cinema, Solidarity, Palestinian Resistance
Amidst the preparations for the 15th edition of ALFILM (The Arab Film Festival Berlin), the attacks of October 7, 2023, took place. The aftermath was undeniably devastating for more than two million people in G...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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