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      Gods on Earth: The Players of Kings and Queen

      Ednei de Genaro and Hermano Callou
      July 2006
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    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
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      Colette de Castro
      July 2026
    • The Eternal Return: The Battle of Algiers at 60

      Salvador Carrasco
      July 2026
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      Pritish Das
      July 2026
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      Leonard Schwartz
      July 2026
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      Jens Andermann
      May 2026
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      Ednei de Genaro and Hermano Callou
      May 2023
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      Gary M. Kramer
      July 2026
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      Amanda Barbour
      July 2026
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      Đăng Tùng Bạch
      July 2026
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      Arindam Sen
      July 2026
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      Botagoz Koilybayeva
      July 2026
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      Gary M. Kramer
      July 2026
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      Ednei de Genaro and Hermano Callou
      July 2004
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      Florian Zappe
      July 2026
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      Patrick F. Campos
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      Nicholas Buccheri
      July 2026
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      Sherry Johnson
      May 2026
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      Steve Johnson
      January 2026
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      Ashish Dwivedi
      November 2025
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      Ednei de Genaro and Hermano Callou
      October 2022
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      Tony Williams
      May 2026
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      Andy Hageman
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      Indigo Bailey
      November 2025
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      Colette de Castro
      July 2025
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      Tony Williams
      May 2025
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      Tony Williams
      May 2025
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      Void in the Voices: The 44th Vienna International Film Festival (Viennale)

      Ednei de Genaro and Hermano Callou
      February 2007
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    • Korean Cinephilia and Its Possible Futures: The 27th Jeonju International Film Festival

      Marc Raymond
      July 2026
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      Daichi Ogi
      July 2026
    • Coming of age does not happen overnight: IndieLisboa turns 23

      Susana Bessa
      July 2026
    • The hottest ticket in town: the 40th Il Cinema Ritrovato

      Stefan Solomon
      July 2026
    • Shanghai IFF 2026: Things that Change, Things that Don’t

      Maja Korbecka
      July 2026
    • Sundance 2026: Watching on the go

      Botagoz Koilybayeva
      May 2026
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      Soundscape: The School of Sound Lectures 1998-2001 edited by Larry Sider, Diane Freeman, and Jerry Sider

      Ednei de Genaro and Hermano Callou
      February 2004
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    • Feeling the Screen Story’s Pulse: Karen Pearlman’s Cutting Rhythms: Creative Film Editing

      Mark Seton
      July 2026
    • The Material Ghosts of Bombay Horror

      Ragib Rahman
      July 2026
    • Cinephilia Reconsidered: Dorothy Wai Sim Lau’s East Asian Auteurism, Cinephilia and the Media Platform Era

      Jiahan Olivia Lin
      July 2026
    • A Radical Resurgence from the Rubble: Duncan Reekie’s BOOM! The Exploding Cinema and the New London Underground

      Wheeler Winston Dixon
      May 2026
    • Fame amid the Ruins: Italian Film Stardom in the age of Neorealism by Stephen Gundle

      Ashish Dwivedi
      May 2026
    • Reality Strikes: Simon R. Troon’s Cinematic Encounters with Disaster

      Scott Robinson
      May 2026
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      Les Yeux sans visage

      Ednei de Genaro and Hermano Callou
      February 2007
      CTEQ Annotations on Film
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    • Le jour se lève: Along the noir continuum

      Shari Kizirian
      October 2026
    • Thérèse Raquin

      Daniel Phuoc Wilson
      October 2026
    • Les Portes de la nuit

      Brad Weismann
      October 2026
    • Trouble in Paradise: Ikarie XB 1’s Music and Sound

      Austin Lancaster
      October 2026
    • Lisa and the Devil

      Inge Fossen
      September 2026
    • The Girl Who Knew Too Much

      Alexia Kannas
      September 2026
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Author Ednei de Genaro and Hermano Callou

Ednei de Genaro and Hermano Callou

Ednei de Genaro has a doctorate in Communication at Federal Fluminense University (UFF) in Rio de Janeiro, Brazil. In 2015, he defended thesis entitled “Farocki, thinker and media operator”. Hermano Callou is an independent film programmer and doctoral candidate in Communication and Culture at Universidade Federal do Rio de Janeiro (UFRJ).

Harun Farocki

“Keep the horizon open”: An Interview with Harun Farocki

Ednei de Genaro and Hermano Callou
July 2016
Feature Articles
In February 2014, Harun Farocki invited us to interview him at his apartment in a former communist neighbourhood in Berlinaus. He had just turned seventy, and was still very active: aside from having just relea...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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