Taking the three films Made in USA, La Chinoise and Tout va bien as a focus, Drew Morton looks at how Jean-Luc Godard (and Jean-Pierre Gorin in the latter case) engaged with the art of the comic strip.
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Drew Morton
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Drew Morton is a Ph.D. student in Cinema and Media Studies at UCLA. He has written about film and television for such publications as the Milwaukee Journal Sentinel, UWM Post, and Flow. He is currently researching the aesthetic convergence between comics and film.
