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    • The Closed World: The Films of Shinoda Masahiro - Surface play and subterfuge in the movies of a modern classicist

      Daniel T. Roberts
      December 2011
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      Max Bowens & Candice Strongwater
      July 2026
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      Colette de Castro
      July 2026
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      Salvador Carrasco
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      Pritish Das
      July 2026
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      Leonard Schwartz
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      Jens Andermann
      May 2026
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      Daniel T. Roberts
      October 2020
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      Gary M. Kramer
      July 2026
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      Amanda Barbour
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      Tùng Bạch Đăng
      July 2026
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      Arindam Sen
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      Botagoz Koilybayeva
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      Daniel T. Roberts
      September 2009
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      Florian Zappe
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      Patrick F. Campos
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      Steve Johnson
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      Ashish Dwivedi
      November 2025
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      Daniel T. Roberts
      May 2025
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      Daniel T. Roberts
      March 2009
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      Marc Raymond
      July 2026
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      Daichi Ogi
      July 2026
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      Susana Bessa
      July 2026
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      Stefan Solomon
      July 2026
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      Maja Korbecka
      July 2026
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      Botagoz Koilybayeva
      May 2026
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      The Imp of Mischief: “Have You Seen…?” A Personal Introduction to 1,000 Films by David Thomson

      Daniel T. Roberts
      April 2009
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      Mark Seton
      July 2026
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      Ragib Rahman
      July 2026
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      Jiahan Olivia Lin
      July 2026
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      Ashish Dwivedi
      May 2026
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      Wheeler Winston Dixon
      May 2026
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      Scott Robinson
      May 2026
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      Daniel T. Roberts
      March 2002
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      Gregory Bennett
      August 2026
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      Desirae Embree
      July 2026
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      Darragh O’Donoghue
      July 2026
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      Sandra E. Lim
      July 2026
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      Michael Green
      July 2026
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      Sebastian Carrasco
      July 2026
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Author Daniel T. Roberts

Daniel T. Roberts

Daniel T. Roberts is a Government Ph.D. candidate at Harvard University, writing a comparative political economy monograph on identity, structural change, and the politics of opportunity in democracies. Among his cases are Japan and the US, countries he writes on more broadly as a Japanese-American citizen-scholar and occasional political theorist.

How Will You Live? Miyazaki’s Critique of Japanese Imperialism and Dialectic with Takahata in The Boy and the Heron

Daniel T. Roberts
November 2024
Feature Articles
Miyazaki Hayao’s recent and perhaps last work, Kimitachi wa dō ikiru ka (The Boy and the Heron, 2023) announces itself as a dramatic departure from its opening fade-in on a blaring siren over war-time Tokyo. It...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

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Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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