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      Man of Cinema: Pierre Rissient

      Botagoz Koilybayeva
      August 2008
      Feature Articles
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    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
    • Consent Puzzles in the Oslo Stories Trilogy by Dag Johan Haugerud

      Colette de Castro
      July 2026
    • The Eternal Return: The Battle of Algiers at 60

      Salvador Carrasco
      July 2026
    • Beyond Revolution as Romance: On the Enduring Relevance of Humberto Solás’ Lucía

      Pritish Das
      July 2026
    • Bee and Bresson: Pickpocket and its Painting

      Leonard Schwartz
      July 2026
    • A Cinema of Survivances: On Lucrecia Martel’s Nuestra tierra

      Jens Andermann
      May 2026
  • Interviews
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    • “I Myself am a Woman”: A Conversation with Han Shuai

      Botagoz Koilybayeva
      July 2021
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    • An Interview with Giulio Bertelli

      Gary M. Kramer
      July 2026
    • Mahboobeh Kalaee: Creation as Antidote to Destruction during American and Israeli airstrikes

      Amanda Barbour
      July 2026
    • Time and Tide: In Conversation with Director Vee Shi and Cinematographer-Producer Nicholson Ren

      Đăng Tùng Bạch
      July 2026
    • Lee Anne Schmitt: An Anthropology of Americanism

      Arindam Sen
      July 2026
    • “What is a complete image of oil?”: An Interview with Sanaz Sohrabi

      Botagoz Koilybayeva
      July 2026
    • Interview with Pierre le Gall

      Gary M. Kramer
      July 2026
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    • Anger, Kenneth

      Botagoz Koilybayeva
      January 2003
      Great Directors
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    • Ferrara, Abel

      Florian Zappe
      July 2026
    • Khavn

      Patrick F. Campos
      July 2026
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      Nicholas Buccheri
      July 2026
    • Corbucci, Sergio

      Sherry Johnson
      May 2026
    • Fisher, Terence

      Steve Johnson
      January 2026
    • Dutt, Guru

      Ashish Dwivedi
      November 2025
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    • Taylor, Elizabeth

      Botagoz Koilybayeva
      November 2023
      Great Actors
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    • Kuz’mina, Elena

      Tony Williams
      May 2026
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      Andy Hageman
      January 2026
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      Indigo Bailey
      November 2025
    • Swinton, Tilda

      Colette de Castro
      July 2025
    • Yeoh, Michelle

      Tony Williams
      May 2025
    • Gelovani, Mikheil

      Tony Williams
      May 2025
  • Festival Reports
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      The Work of a Festival: A Report on the 50th Melbourne International Film Festival

      Botagoz Koilybayeva
      September 2001
      Festival Reports
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    • Korean Cinephilia and Its Possible Futures: The 27th Jeonju International Film Festival

      Marc Raymond
      July 2026
    • What is the honour of cinema? – The 79th Cannes Film Festival

      Daichi Ogi
      July 2026
    • Coming of age does not happen overnight: IndieLisboa turns 23

      Susana Bessa
      July 2026
    • The hottest ticket in town: the 40th Il Cinema Ritrovato

      Stefan Solomon
      July 2026
    • Shanghai IFF 2026: Things that Change, Things that Don’t

      Maja Korbecka
      July 2026
    • Sundance 2026: Watching on the go

      Botagoz Koilybayeva
      May 2026
  • Book Reviews
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    • Creating the Appearance of Being: The Art of American Screen Acting 1960 to Today, by Dan Callahan

      Botagoz Koilybayeva
      July 2020
      Book Reviews
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    • Feeling the Screen Story’s Pulse: Karen Pearlman’s Cutting Rhythms: Creative Film Editing

      Mark Seton
      July 2026
    • The Material Ghosts of Bombay Horror

      Ragib Rahman
      July 2026
    • Cinephilia Reconsidered: Dorothy Wai Sim Lau’s East Asian Auteurism, Cinephilia and the Media Platform Era

      Jiahan Olivia Lin
      July 2026
    • A Radical Resurgence from the Rubble: Duncan Reekie’s BOOM! The Exploding Cinema and the New London Underground

      Wheeler Winston Dixon
      May 2026
    • Fame amid the Ruins: Italian Film Stardom in the age of Neorealism by Stephen Gundle

      Ashish Dwivedi
      May 2026
    • Reality Strikes: Simon R. Troon’s Cinematic Encounters with Disaster

      Scott Robinson
      May 2026
  • CTEQ
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    • A journey through 1930s Japan: Mr. Thank You (Hiroshi Shimizu, 1936)

      Botagoz Koilybayeva
      April 2020
      CTEQ Annotations on Film
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    • Le jour se lève: Along the noir continuum

      Shari Kizirian
      October 2026
    • Thérèse Raquin

      Daniel Phuoc Wilson
      October 2026
    • Les Portes de la nuit

      Brad Weismann
      October 2026
    • Trouble in Paradise: Ikarie XB 1’s Music and Sound

      Austin Lancaster
      October 2026
    • Lisa and the Devil

      Inge Fossen
      September 2026
    • The Girl Who Knew Too Much

      Alexia Kannas
      September 2026
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Author Botagoz Koilybayeva

Botagoz Koilybayeva

Botagoz Koilybayeva is a Kazakh-born, Prague-based film writer and scholar. She is currently doing a doctorate at Charles University and specialises in the more-than-human cinema.

“What is a complete image of oil?”: An Interview with Sanaz Sohrabi

Botagoz Koilybayeva
July 2026
Interviews
“What does it mean if I blow up this tiny image and make it three metres long?” says Iranian filmmaker Sanaz Sohrabi, when talking about the politics of images. Who does the looking? Who is being looked at? Wha...

Sundance 2026: Watching on the go

Botagoz Koilybayeva
May 2026
Festival Reports
After the COVID-19 pandemic led some major festivals to turn digital, Sundance has continued to unfold as a hybrid event: at once a physical festival and a virtual one for attendees tuning in from abroad. As a ...

“The repressive machine began to operate”: An Interview with Beata Bubenets

Botagoz Koilybayeva
July 2025
Interviews
In 2019, a middle-aged man from the Republic of Sakha sets out on foot from its capital, Yakutsk, to Moscow to exorcise a demon from the Kremlin: Vladimir Putin. Pushing a makeshift cart loaded with wooden pole...

“I wanted to draw attention to Artsakh”: An Interview with Sareen Hairabedian

Botagoz Koilybayeva
January 2025
Interviews
Armenian cinema, just like its history, is marked by the scars of displacement and war. The country’s most celebrated filmmaker, Sergei Parajanov, was persecuted and imprisoned by the Soviet regime. The Armenia...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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