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General Manager
Peter Beilby was the co-founder and editor of Cinema Papers. He is now a film producer and works in film and television.
You can email Peter.
Co-Editor
Rolando Caputo likes the sound of wind on film, and lectures in the Cinema
Studies Program, La Trobe University (Melbourne).
You can email Rolando.
Co-Editor
Scott Murray is a filmmaker.
You can email Scott.
Film Festivals Editor
Michelle Carey, 32, lives in Melbourne. She also programs films for the Melbourne Cinémathèque and the Melbourne International Film Festival.
You can email Michelle.
Book Reviews Editor
Fincina Hopgood holds a PhD in Cinema Studies from the University of Melbourne.
Her thesis examines the portrayal of mental illness in recent films from
Australia and New Zealand. Fincina has taught courses in Australian cinema,
the musical genre, and visual culture at Melbourne and Monash Universities,
and she has written for Cinema Papers, Metro and Screening
the Past. Fincina is interested in Australian and New Zealand cinema,
film festivals, actors, and adaptations of novels. Her favourite filmmakers
are David Fincher, Alfred Hitchcock, Peter Jackson and Fran Walsh, Baz Luhrmann
and Catherine Martin, Martin Scorsese and Thelma Schoonmaker, and Peter
Weir.
You can email Fincina.
Web Designer
Cerise Howard studied film at La Trobe University and was a coordinator
of the Melbourne Underground Film Festival from 2000–2002. A musician, a writer
at work on her first novel, and a Jill of all arts, the filmmakers to exert the greatest fascination upon her
include Argento, Buñuel, Tsukamoto, Miike, Keaton, Jackson, Maddin, Franco,
Raimi, Svankmajer, Borowczyk, Miyazaki, Kurosawa, Polanski and Tarkovsky.
And Bergman, Hitchcock, Scorsese, Gilliam, Bava, Almodóvar etc.
You can email Cerise.
Cteq Editor
Dr Adrian Danks, 39, is Head of Cinema Studies and teaches Cinema and Cultural
Studies in the School of Applied Communication, RMIT University. He is currently
President and co-curator of the Melbourne
Cinémathèque, and editor of CTEQ Annotations on Film. He has
published widely on the cinematic representation of place, the relationship of domestic photography to cinema, film history, film
culture, film restoration, Australian cinema, and cinematic authorship. His writing has appeared in a range of books and journals
including: Senses of Cinema, Metro, Screening the Past, RealTime, Screen Education,
1001 Movies You Must See Before You Die, Traditions in World Cinema, and Twin Peeks: Australian and New Zealand Feature
Films. He also has a particular love of filmmakers who are fond of cats. His favourite directors are: Chris Marker, Jean-Pierre Melville,
Michael Powell and Emeric Pressburger, Ernst Lubitsch, Stan Brakhage, Bob Clampett, Claire Denis, Bruce Conner, Martin Scorsese,
Yasujiro Ozu, Abbas Kiarostami, Budd Boetticher, Georges Franju, Jean-Luc Godard (up to 1967), Robert Bresson, Humphrey Jennings,
Buster Keaton, Sergio Leone, Terrence Malick, Max Ophuls, Billy Wilder, Orson Welles and Wong Kar-Wai. He has an Economics degree from
the University of Melbourne (which he is still trying to live down), a Media Studies degree from RMIT, and a doctorate from LaTrobe
University. Would like Paul Meurisse or Warren Oates (though others have suggested Ed Harris) to play him in the very unlikely event
that someone wanted to make a film of his life.
You can email Adrian.
Fiona A. Villella; Cerise Howard; Peter Beilby; Michelle Carey; Deb Verhoeven; Peter Hourigan, Gary Andrews and Anna Reeves.
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